Jan
Smith (BA ’86/MA ’92) says she grew up “in
the shadow of The University of Iowa” and the education
she received there as an adult has lit her way as an English
teacher and administrator at Iowa City’s City High
School, her other alma mater. Students excel through her
fresh and creative approach to teaching.
“Mrs. Smith doesn’t get lost in the minutiae of grammar, although
she emphasizes a firm grasp of the subject,” said City High senior Jennifer
Dibbern. “Her approach emphasizes reader feedback from our peers, class
discussion, and individual conferences. She first teaches us how to find our
literary voices, and then how to sing.”
Smith’s research in English education
addresses the chasm between education theory and practice.
She says good teachers not only identify challenges
in teaching, but also are able to develop novel solutions that work in the
classroom.
“We know that many students fear writing essays and reciting poetry,” she
said. “But the real challenge is to come up with interesting and
effective ways to help remove those fears so the students are freed to
love writing
and reading literature.”
To accomplish this, Smith uses an array of
techniques, including literature circles—small groups of students who read, think, talk, and prepare a
classroom presentation about a work of literature. During reading units, she
encourages students to view each literary work through a variety of “lenses” that
sensitize them to issues concerning social class, gender, and ethnicity. She
also guides each student in putting together a portfolio of work that represents
the arc of their trimester’s development as writers.
Southeast Junior High language arts teacher
Adele Monserud (BA’75/MA ’79/MA ’97)
appreciates how Smith transforms theories about creativity and writing
into actual classroom teaching. She notes that an approach to writing
as purely
prescriptive can stifle the enthusiasm and talents of students.
“Jan challenges her student to think of ‘text’ in a wide sense,” Monserud
said, “rather than trying to analyze short stories, poetry, or essays to
discover the ‘right’ interpretation. And her assignments
are broadly designed so that students can work from their own interest
within
that range.”
The approach inspires stunning results. In
response to an assignment to write and read aloud a self-portrait,
Caroline Brigham brought a
jar beautifully
adorned with photographs of the student’s hands, feet, and face, as well
as a rubbing from her father’s tombstone engraved with a quote from Plato.
Carolyn’s essay explained that her father had been killed
when she was nine and the jar represents where she keeps her feelings
about him.
One photo
has tiny beads placed on her cheeks, representing her tears.
Another student, Kristen Blake, brought a
violin she had covered with photographs she took that illustrate
many facets of her life,
including
a defibrillator
because of her father’s heart illness and her work with respite care
and the Special Olympics. In her essay, she said used black and white photos
because at first glance something may look boring, but if observed from a different
point of view or when small details are noticed, it can become very interesting. –by
Jean Florman